World According To Bush Views

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The World According to Bush is a 2004 French documentary by director William Karel written in cooperation with Eric Laurent about the Bush family, especially George W. Bush. It examines and interviews Bush supporters, including the Christian right, neo-conservatives, and businesspeople, as well as Bush critics. It discusses the history of the Bush family, including Prescott Bush, who was on the board of German-owned companies during the Nazi period. It also shows televised statements made by Bush and his supporters, including Jerry Falwell.

f"The World According to Bushl" is based on fully verified facts and eyewitness accounts. It offers a disturbing and striking portrait of the exercise of power at the head of the world rs"s leading democracy, as well as of the unacceptable alliances that have been forged and that remain painstakingly concealed.

No thriller or political fiction screenplay could have imagined the workings of such an intricate plot. Unfortunately, its actors are not fictional characters but, on the contrary, a man and a team who hold the fate of the world in their hands. For the first time in the political history of the USA, a small group of people, working together for thirty years, has more or less taken over American foreign policy and totally overhauled it, silencing all opposition. Behind the proclaimed global strategy, we find not only considerable economic interests but also a possibly more disturbing aspect, a religious project that George W. Bush identifies with completely, initiated by extremists who are part of the Presidentrrs"s direct entourage. Religion has taken on an all-important role since his arrival at the White House.

The World According to Bush covers much of the territory of Fahrenheit 9/11, but is a more sober, conventionally made look at the first 1000 days of George Bush's presidency. It was originally scheduled to screen at the Cannes Film Festival in May, but when Michael Moore finished his film at the last minute, Karel's film was pulled because festival artistic director Thierry Frémaux didn't want Cannes to appear too anti-American.

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