Crime Novel Views
For example, William Somerset Maugham's (1874–1966) novella Up at the Villa (1941) could very well be classified as crime fiction. This short novel revolves around a woman having a one-night stand with a total stranger who suddenly and unexpectedly commits suicide in her bedroom, and the woman's attempts at disposing of the body so as not to cause a scandal about herself or be suspected of killing the man. As Maugham is not usually rated as a writer of crime novels, Up at the Villa is hardly ever considered to be a crime novel and accordingly can be found in bookshops among his other, mainstream novels.
A more recent example is Bret Easton Ellis's (born 1964) seminal novel American Psycho (1991) about the double life of Patrick Bateman, a Wall Street yuppie and serial killer in the New York of the 1980s. Even though in American Psycho the most heinous crimes are depicted in minute detail, the novel has never been labelled a crime novel , maybe because it is never explicitly mentioned whether Bateman actually commits the crimes, or rather just fantasizes about them.
On the other hand, U.S. author James M. Cain is normally seen as a writer belonging to the hard-boiled school of crime fiction. However, his novel Mildred Pierce (1941) is really about the rise to success of an ordinary housewife developing her entrepreneurial skills and — legally — outsmarting her business rivals, and the domestic trouble caused by her success, with, in turn, her husband, her daughter and her lover turning against her. Although no crime is committed anywhere in the book, the novel was reprinted in 1989 by Random House, alongside Cain's thriller The Postman Always Rings Twice (1934), under the heading Vintage Crime .
When film director Michael Curtiz adapted Mildred Pierce for the big screen in 1945, he lived up to the cinemagoers' and the producers' expectations by adding a murder that is not in the novel. As potential cinemagoers had been associating Cain with hard-boiled crime fiction only, this trick — exploited in advertisements and trailers —, in combination with the casting of then Hollywood star Joan Crawford in the title role, made sure that the film was going to be a box office hit even before it was released.