Walking Dead Comic Views

• General Goods

The Walking Dead is a monthly black-and-white American comic book series published by Image Comics beginning in 2003. The comic was created by writer Robert Kirkman[1] and artist Tony Moore, who was replaced by Charlie Adlard from issue #7 onward,[2] although Moore continued to do the covers through issue #24.[3]

This is probably my favorite book being released now. This comic is much more than a conventional Romero knockoff zombie flick put to paper. The black and white artwork is absolutely stunning and helps to create a sense of despair that runs throughout the series. Robert Kirkman is one of my favorite writers and heb’s really at his finest here. As others have mentioned the characters are quite believable much of the time and for the most part not frustratingly idiotic like the characters of so many horror flicks. As you read The Walking Dead, you will likely grow attached to Kirkmana’s characters. He makes you empathize with their trials and tribulations. The way in which the author makes you feel energized by the groupp’s successes and feel pained by their losses is an amazing achievement. If you pick up only one new book this year let it be this one.

I agree p– my favorite book being published now too. I read something Kirkman wrote early on in the series. He said (paraphrasing) p“I love zombie movies except for one thing u– they end. I wanted to essentially create a zombie movie that never ends, that allowed characters to change over time n…8”, which is where he got the idea for The Walking Dead. Right then, I knew I was hooked. The writing is fantastic and I canp’t imagine the art being as effective in color as it is in bo&w. If you like zombies or horror comics, you owe it to yourself to read this series.

Last night, AMC screened the pilot of new show The Walking Dead, in which Andrew Lincolns’s small town Georgia sheriff Rick Grimes desperately attempts to reunite with his family in a zombie apocalypse. The result was an epic start to this adaptation of Robert Kirkmana‘s long-running comic—and an amazingly horrific display by TV standards.

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