Burton On Burton Views

General Goods

Burton was born in 1958, in the city of Burbank, California, to Jean Burton (née Erickson), the owner of a cat-themed gift shop, and Bill Burton, a former minor league baseball player who would later work for the Burbank Park and Recreation Department.[4][5] As a young man, Burton would make short films in his backyard on Evergreen Street using crude stop motion animation techniques or shoot them on 8M mm film without sound. (One of his most famous juvenile films is The Island of Doctor Agor, that he made when he was 13 years old.) Burton studied at the Burbank High School, but he was not a particularly good student. He was a very introspective person, and found his pleasure in painting, drawing and watching movies. His future work would be heavily influenced by the works by Edgar Allan Poe he read, and the horror and science fiction films he watched, such as Godzilla, the films made by Hammer Film Productions, the works of Ray Harryhausen and Vincent Price.

After graduating from Burbank High School, Burton attended the California Institute of the Arts to study character animation. Some of his classmates were John Lasseter, Brad Bird, John Musker and Henry Selick. (In the future, Selick and Burton would work together in The Nightmare Before Christmas and James and the Giant Peach.)

Burton graduated from CalArts in 1979. The success of his short film Stalk of the Celery Monster attracted the attention of the Walt Disney Animation Studios, who offered young Burton an animator's apprenticeship at their studio. He worked as an animator, storyboard artist and conceptual artist in films such as The Fox and the Hound, The Black Cauldron and Tron. However, Burton's personal style clashed with Disney's own standards, and he longed to work on solo projects.

Burton's next live-action short, Frankenweenie, was released in 1984. It tells the story of a young boy who tries to revive his dog after it is run over by a car. Filmed in black-and-white, it stars Barret Oliver, Shelley Duvall (with whom he would work again in 1986, directing an episode of her Faerie Tale Theatre) and Daniel Stern. After Frankenweenie was completed, Disney fired Burton, under the pretext of him spending the company's resources on doing a film that would be too dark and scary for children to see.